Culver City, U.S.A – In ‘Men in Black 3′Agents J (Will Smith) and K (Tommy Lee Jones) are back … in time. J has seen some inexplicable things in his 15 years with the Men in Black, but nothing, not even aliens, perplexes him as much as his wry, reticent partner.

But when K’s life and the fate of the planet are put at stake, Agent J will have to travel back in time to put things right. J discovers that there are secrets to the universe that K never told him — secrets that will reveal themselves as he teams up with the young Agent K (Josh Brolin) to save his partner, the agency, and the future of humankind.

Ken Ralston explains that though several sequences in the film represented exciting VFX challenges €“ from building a prison on the moon to re-creating the Apollo 11 launch €“ the biggest challenge of all was to achieve a look that meshed with the film Barry Sonnenfeld was directing. “Barry has a very distinct style,” says Ralston. “It’s very graphic, very distinctive to his movies. Our designs had to be stylized, they had to live within his world, but at the same time, it had to feel believable €“ even when something unbelievable was happening.”

“Even though technology has changed a lot since the last Men in Black came out, we wanted to make sure we were firmly in the MIB world, and Barry allowed and encouraged us to play and bend the rules inside what is expected to be real. It’s not every day you get to design and create such a wide, wacky, and challenging variety of effects and creatures, and have fun doing it. This, in no small part, is thanks to Barry’s direction and whimsical take on the material and the artists who made it all come alive,” says Jay Redd.

With a mix of humor and style, the visual effects in ‘Men in Black 3′ take us back to the year 1969 with a digital creation of the Apollo 11 Rocket Launch and New York’s Shea Stadium, a chronology shifting time jump, and an action-packed monocycle chase through the streets of Brooklyn.

Men in Black films are known for their unusual and extraordinary alien characters and this film is no exception. Among the digital characters created for ‘Men In Black 3′ are the giant alien fish, the weasel alien, the villain alien Boris, the bowling ball headed alien known as Tony, and a return of the popular Worm Guys.

Imageworks also created digital doubles for Agent J (Will Smith), Young Agent K (Josh Brolin) and Griffin (Michael Stuhlbarg). Imageworks worked closely with Oscar-winning special effects make-up artist Rick Baker, digitally extending and recreating physical characteristics in the digital world.

 

Image Courtesy of   Men in Black 3